...
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I,
I took the one less traveled by,
And that has made all the difference.
Somewhere ages and ages hence:
Two roads diverged in a wood, and I,
I took the one less traveled by,
And that has made all the difference.
- Robert Frost
Jack and Jill went up the hill,
Each with a buck and a quarter.
Jill came down with $2.50.
-Andrew Dice Clay
You're probably wondering why, other than boredom, would anyone put a Dice Clay nursery rhyme side by side with a quote from Robert Frost, one of the most venerated poets of our time? Yeah you got me, it was boredom. Well okay to be honest there is a point hidden in there as well, probably somewhere behind Jill and her newly earned $1.25. We'll get to it in a minute, I swear.
I had a very interesting conversation during dinner last night with a younger guy who wants to begin writing sci-fi novels. His ideas were some of the best compilations of stock and trade sci-fi standards I've heard in quite a while. They were all retreads, albeit bright shiny sparkly retreads, but retreads nonetheless. Granted mind you that there's nothing wrong with that as it happens every day and sells like crazy. I didn't want to rain on the kid's parade so I let him continue telling me about his characters and settings while random references to Douglas Adams and Joss Whedon and mid-seventies DC comics and Ray Bradbury and Ridley Scott populated the back of my mind in a near dizzying orgy of homogenized and rehashed angry face-hugging ideas.
Then it happened. He hit upon something original.
This guy has a brilliant character idea floating around in all of that sea of once-more-into-the-breach-standbys and it is awesome. This character has enough flamboyancy, believability, and just left of center outlandishness that he could carry an entire story AND IT WOULD BE AWESOME. This character is unlike anything my raging nerd brain has ever heard of in the realm of sci-fi and I would line up to watch a movie based on it if the script was written in crayon.
Unfortunately, for this budding padawan writer this is a second tier supporting character meant as some form of comic relief to his main protagonist, a man who may have been the outcome of that one time in band camp when Han Solo and Chewie gang banged Ripley from Alien and used "Game Over" Hudson as a surrogate to carry the baby. The problem here is that the writer has already made a choice, good bad or indifferent, and is hell bent on proceeding down that path. The sad thing is that he has a nugget of true genius in his grasp and refuses to see it.
I think one of the biggest challenges any writer must contend with is whether or not to listen to that little voice inside their head (as opposed to the louder ones that they pretend are just their imagination running wild) that tells them something is wrong with their project. I like to refer to it as the Writer's Dilemna.
I had a really personal experience with the Writer's Dilemna while working on Bounce. The novel was completed back in early March of this year and I deeply, madly, and truly hated it. The book sucked on a level that made me get sleepy reading it out of self preservation. I couldn't stand it and I WROTE THE DAMN THING. I put it on ice for a week and tried to work in another direction to see if I could make a decision on what to do with it before I flushed a six month project. My Writer's Dilemna was down to scrap or start over and scrap was way out in front on the polls. Strangely enough I came up with the idea during that week to allow the main character to tell the story instead of telling it for him. What I came up with is 146 pages of rambling from a self-indulgent, depraved, sardonic, vulgar asshole with no regard for those around him and no redeeming qualities. Reviewer after reviewer has decried how much they truly hated the character... and yet copies are still selling.
Writer / blogger / showrunner Ken Levine spent a great deal of space on his blog several months ago about the trend in Hollywood toward the anti-hero and how the viewing public seems to now be craving flawed figures as their leading roles. I have to agree and let you all in on a secret as well: I created the Mack character and I can't stand him either!! The funny thing to me is that as the reviews come in people in general not only don't like the guy but keep turning pages to see how far he can fall. I think it goes back to the Robert Frost vs. Dice Clay portion at the beginning of the post. A lot of writers, including myself on most occasions, tend to head down the Frost path and write more socially acceptable literature. In this particular case I rolled the "Dice" and let a real jackass loose on the page. While the results were mixed, after all the book hasn't crapped out nor has it blown up past marginally successful self publishing standards, it generated a response in those that have read it and after all that's all most writers are really after anyway!
So, for the other writers out there facing their own Writer's Dilemna on their current work, all I can leave you with is this: be willing to go back to the beginning if you need to, don't be too afraid of going for it and seeing what happens, and be willing to learn from it if the experiment goes sideways.
That and NEVER NEVER NEVER NEVER NEVER consciously let a character that you know the world is going to hate try to ride roughshod over your narrative. I have already sworn to whatever writer's deity is paying attention that I will not repeat my mistake and I'm sure you don't want to join me.
Then again . . . you could always look at the work of my favorite poet, e.e. cummings. The man deplored convention, butchered the rules of punctuation, and was known for equal parts poetry, erotica, and novels that made F. Scott Fitzgerald ( The Great Gatsby ) actually consider quitting the writing profession. In a number of circles he was considered what we now would see as equal parts of the Frost / Clay equation. I wonder what his Writer's Dilemnas were like...
I leave you today with my favorite poem from e.e. cummings, "Somewhere I Have Never Travelled."
If you'd like, feel free to discuss your own Writer's Dilemnas in the comments below.
somewhere i have never travelled, gladly beyond
any experience,your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near
your slightest look will easily unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skilfully,mysteriously)her first rose
or if your wish be to close me, i and
my life will shut very beautifully ,suddenly,
as when the heart of this flower imagines
the snow carefully everywhere descending;
nothing which we are to perceive in this world equals
the power of your intense fragility:whose texture
compels me with the color of its countries,
rendering death and forever with each breathing
(i do not know what it is about you that closes
and opens;only something in me understands
the voice of your eyes is deeper than all roses)
nobody,not even the rain,has such small hands
- E. E. Cummings
any experience,your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near
your slightest look will easily unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skilfully,mysteriously)her first rose
or if your wish be to close me, i and
my life will shut very beautifully ,suddenly,
as when the heart of this flower imagines
the snow carefully everywhere descending;
nothing which we are to perceive in this world equals
the power of your intense fragility:whose texture
compels me with the color of its countries,
rendering death and forever with each breathing
(i do not know what it is about you that closes
and opens;only something in me understands
the voice of your eyes is deeper than all roses)
nobody,not even the rain,has such small hands
- E. E. Cummings